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LIVING ROOM
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Copos by Diogo De Haro

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PERFORMANCE: DIOGO DE HARO, musician. Proposal: to make music using the house utensils: glasses, dishes, bottles, cutlery, etc.
TAPESTRY - hand made by Cecilia Vilela, mother of the artist. It is a reproduction of a work by Wassily Kandinsky (Passage with bull, 1908).
TELEVISION - of the 70s, it plays distorted images with the volume of the TV channels on.

LETTERS - The writer Eduardo Jorge from Belo Horizonte - MG, proposed an intervention in the house. He writes letters to the house and sends them by post.
TELEPHONE - The artist Cynthia Pimenta, from Sao Paulo - SP and Tio André, from Sao José do Rio Preto - SP, from time to time make phone calls to the House. Whoever passes by the living room can answer the phone and have a conversation.
In a small coffee table there is a vase (Bico-de-Papagaio), a toy and a notebook for comments.

 

Living Room
by Fernando Bopré

The house has a living room. Entry and exit door; centre and passage. Repercussion box: dinner set turns into sound device.
People scattered in the couches,Diogo de Haro pokes glasses, smooths dishes, invades bowls. Sound and fury. The living room is an open book for inscriptions of flat images from an old TV, worn, manifestations of nothing. The phone rings and on the other end of the line the unexpected asks: Who is this house? Who does the music? And in the end What happens there? It's a nuts house, that's why it doesn't have a name or an owner. It's simply The HOUSE/CASA.

 

Sala
por Fernando Bopré

A CASA tem sala. Porta de entrada e saída; centro e passagem. Caixa de reverberação: utensílios de jantar reviram-se em aparelho sonoro. Gente se espalha pelo sofá, Diogo de Haro cutuca copos, alisa pratos, invade cumbucas. Som e fúria. Sala é livro aberto para inscrições com TV de outrora de imagens lisas, corridas, manifestações do nada. O telefone toca e o inesperado do outro lado pergunta de quem é esta casa, quem faz música, afinal de contas, o que se passa ali? É casa de maluco, por isso mesmo não tem nome nem dono. É simplesmente, a CASA.

 

  Lucila Vilela, "CASA", 2001-2010